Wednesday, October 30, 2013

The Secret Sun: Babies, Bathwater and the New Age

The New Age movement is one of the great enigmas of our time. You won't find hardly anyone willing to defend it or define themselves as a "New Ager," and yet the movement has slowly and quietly (some would say insidiously) changed the culture at large, for better and worse.



I didn't know there even was such a thing until Shirley McLaine brought it into the mainstream with the 1986 TV movie of her autohagiography, Out on a Limb. Of course, I'd been heavily immersed in the movement prior to that but what I thought I was involved with was an underground and vaguely outlaw occult movement that itinerant Deadheads were introducing lost and bored punk rockers to in the mid-80s.

It seemed to be a rich and loamy mission field; the first wave of hardcore punk had fallen apart, giving rise to Nazi punk, thrash metal and nihilist grunge. None of the energy or optimism of the early 80s was left in the movement, as a great darkness had descended over the scene. A lot of punks were gagging for an antidote, which groups like the Deadheads and the Hare Krishna's were all too happy to provide.

There were certain precedents in Post-Punk, particularly the British bands (Killing Joke, Comsat Angels, Coil, Current 93, etc) who toyed with the kind of post-hippie occultism that would have such a decisive impact on Alan Moore and Grant Morrison and the rest of 80s British Invasion, but I would definitely credit the 80s renaissance of The Grateful Dead for the clandestine spread of the "New Age" ideas in the counterculture at large. 
 


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